Bill Dixon Recording Residency
Firehouse 12/New Haven
Project Diary
July 8, 2008
Spent yesterday on a long leisurely drive to Bill’s home in Vermont, then drove Bill and his partner Sharon down the hill to New Haven. The best thing about my driving trips with Bill are the stories. He told one that took place early in the fifties, revolving around a touring big band that included Dennis Charles and Cecil Taylor. Someone should write a book (and I don’t mean Dixonia) filled with these anecdotes. Perhaps an audio book, as more than half the fun resides in the delivery and the sound of Bill's voice.
Today we begin the technical setup for the recording and film process. Bill hits the studio in the morning with Nick Lloyd, engineer and director of Firehouse 12. Warren Smith will roll in mid-afternoon to set up his battery of instruments: tympani, vibraphone, marimba, drums and percussion. Videographer Robert O’Haire will be there capturing the early work and getting his feet wet. Our photographer, Nick Ruechel, will arrive early Wednesday morning. The rest of the ensemble will arrive throughout the afternoon and early evening from Chicago, Quebec, Boston, Connecticut and New York.
Bill plans to play the piano, a lovely Steinway, and has asked for a large black board.
We finish the day with a big family style meal, during which Bill will begin the reveal of his plans for the ensemble and set the tone for the next few days.
Firehouse 12/New Haven
Project Diary
July 8, 2008
Spent yesterday on a long leisurely drive to Bill’s home in Vermont, then drove Bill and his partner Sharon down the hill to New Haven. The best thing about my driving trips with Bill are the stories. He told one that took place early in the fifties, revolving around a touring big band that included Dennis Charles and Cecil Taylor. Someone should write a book (and I don’t mean Dixonia) filled with these anecdotes. Perhaps an audio book, as more than half the fun resides in the delivery and the sound of Bill's voice.
Today we begin the technical setup for the recording and film process. Bill hits the studio in the morning with Nick Lloyd, engineer and director of Firehouse 12. Warren Smith will roll in mid-afternoon to set up his battery of instruments: tympani, vibraphone, marimba, drums and percussion. Videographer Robert O’Haire will be there capturing the early work and getting his feet wet. Our photographer, Nick Ruechel, will arrive early Wednesday morning. The rest of the ensemble will arrive throughout the afternoon and early evening from Chicago, Quebec, Boston, Connecticut and New York.
Bill plans to play the piano, a lovely Steinway, and has asked for a large black board.
We finish the day with a big family style meal, during which Bill will begin the reveal of his plans for the ensemble and set the tone for the next few days.
The last image was taken by Isabelle Moisan of Ken Filiano's setup.
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